Saturday, March 3, 2012

Magical World of Ray Caesar

Sweet Victory by Ray Caesar
Sweet Victory by Ray Caesar

"I’m not sure you can look at Ray Caesar’s work and remain undisturbed. I’m not sure he’d want you to. There can be a paradigm shift when art holds our attention for longer than a second, when we are so seduced by its contradictions that our minds truly begin to work at untangling them. Because, you see, when we engage with grotesque art, we’re not entering into the realm of logical analysis but into a liminal space where you meet doppelgangers, monsters, and children-creatures - all crying out for us to be more redemptive humans." - Nancy Hightower

Ray Caesar was born in 1958 in London. During his early childhood his family moved to Toronto, Canada, where he currently resides.

He attended Ontario College of Art and worked in the art and photography department of the Hospital For Sick Children in Toronto, documenting disturbing cases of child abuse, surgical reconstruction, psychology, and animal research.

Ray's magically haunting images were inspired not only by his experiences at the Children Hospital, but also by the surrealist art of Frida Kahlo and Salvador Dali.

Consort by Ray Caesar, 2006
Consort by Ray Caesar, 2006

The artist about himself:

Much to my parent's surprise, I was born a dog. This unfortunate turn of events was soon accepted within my family and was never again mentioned in the presence of polite company. I was a rambunctious youth as was natural to my breed but showed a fine interest in the arts as I drew pictures incessantly on anything including the walls and floors of every room of our tiny house. After some trouble with intolerant neighbors, my family was convinced to move to Canada and it was not long before the burgeoning town of Toronto became our new home.

Unfortunately the drawing continued to become somewhat atypical and aberrant and it was impressed upon me that such images might not be suitable for public viewing. In the summer of 69, there was a valiant attempt to stop me from doodling infamous contemptible fascist dictators upside down on my stomach with a ballpoint pen. I was consoled however by the encouragement to continue penciling in faces of flamboyant cowboys such as Gene Autry, Roy Rogers, The Lone Ranger and Tonto on my toenails but was expressly forbidden to talk to them at night.

French Kiss by Ray Caesar, 2009
French Kiss by Ray Caesar, 2009

It can be said that there are defining moments in a dogs life that can only be described as pivotal. Mine came when I received a gift of a flesh toned 12 inch plastic movable human doll attired in cheaply made military fatigues called "GI Joseph". I however named him "Stanley Mulver" and immediately resigned his commission from the light infantry. My Mother helped in this by sewing small business suits and leisure wear out of leftover Christmas fabric embroidered with holly and snowmen, tinfoil shoes and one tasteful Safari suit made of tight fitting powder blue rayon that proudly shone cobalt in the summer sunlight. It wasn't long before I had begun making enlarged wigs out of gray plasticine. These wigs soon became huge pompadours for Stanley and looked even more grand when I meticulously embedded small hairs from my daily body and face shavings. This hirsute practice along with walking upright allowed me to fit in with other children even though my father considered it a waste of time. In short, Stanley had become a visage of the Man I could never be, of that elusive self one sometimes glimpses down the tunnel of infinite reflected mirrors. Although ridiculed by my peers, I proudly wore Stanley around my neck at all times as if to say "See! This is the man I will be, a good man, a kind man".

Returns of the Day by Ray Caesar, 2009
Returns of the Day by Ray Caesar, 2009

I have worked in many fields over the years, attended obedience classes and art colleges, jobs designing horrible buildings in architectural studios, medical art facilities, digital service bureaus, suspicious casino computer game companies, eventually working at computer modeling, digital animation and visual effects for television and film. Some award nominations have been attained and I have been driven in long black liquor filled limousines and walked on hind legs down red carpets in Pasadena while wearing strange smelling rented tuxedos.

Things change and summer years come to an end. My change occurred one night when my Mother visited me, which was slightly unusual because she had passed away some months before, a victim to the cigarette habit she could never quite lick. Facing a wall and slowly turning I saw the right side of her face ablaze in light, her hand trying to cover the light as if she were apologetic for having it seep through. Words were said about following rabbits down holes and I was shown galleries of work which were to be my own. My Mother was not the first visitation I have had and it seems she will not be the last.

I live in a brick house with my wonderful wife Jane and a coyote called Bonnie. I like eating avocados and I don't really mind being a dog.

Ray Caesar

To visit Ray Caesar's official website please click here

Also of interest - The Fantastic in the Fine Arts: Ray Caesar's Haunted Beauty

Thursday, March 1, 2012

Happy Future Day!


Reinventing the Future by David Brin

Most of our holidays look backward, honoring past victories, dead presidents or long-standing traditions. How about a day that looks forward, toward thinking creatively about building a better tomorrow? The brand new Future Day will now be celebrated annually on March 1. 

How would you (productively) observe such a day, particularly to inspire the next generation?

Google’s new TED-style project aims for technological ‘moonshots’ to develop innovative, far-reaching solutions to the problems of tomorrow, covering topics ranging from transportation to agriculture, genetics to computing.  Google notes: “Moonshots live in the gray area between audacious projects and pure science fiction; they are 10x improvement, not 10%,” because we can’t afford to think incrementally for the future is a steamroller bearing down upon us. In "The World in 2050", Lawrence C. Smith takes at big picture look at the megatrends and forces shaping the civilization’s next forty years. We will need to anticipate the accelerating effects of globalization, climate change, population growth, and increased demands on natural resources, particularly water (which the author calls Blue Oil), which are likely to exacerbate inequalities across the globe.

Looking even further ahead, Deep Future: The Next 100,000 Years of Life on Earth, by Curt Stager, explores the potential long range impact of climate change on our planet. Stager notes, “We face a simple choice in the coming century or so; either we’ll switch to nonfossil fuels as soon as possible, or we’ll burn through our remaining reserves and then be forced to switch later on…We are faced today with the responsibility of determining the climatic future that our descendants will live in.”

The future of space exploration is increasingly international - yet the U.S. has backed out of five joint projects with the European Space Agency. The 2013 NASA budget slashes planetary science by 20%, with Mars exploration taking a severe hit. Fortunately, the James Webb Space Telescope avoided the merciless axe. NASA may abandon the joint NASA-ESA ExoMars missions scheduled for 2016 and 2018, as well as a joint venture to explore the moons of Jupiter. Europe is now courting Russia for the ExoMars mission. We need to show some consistency and commitment to our partners overseas and how about some commitment to our heirs and descendants? The War on Science has gone too far - if we are to remain a forward looking civilization.

Universities are critical in preparing students for a rapidly changing world, yet undergraduate education has changed little over the last century - large lecture halls, blue books and expensive textbooks still prevail. Lawrence Summers notes that factual mastery, passive learning and individual effort should be of less consequence than analytical, cooperative, cross-disciplinary thinking. In the real world, fields such as science, business and government rely on an ability to collaborate and work together, yet at schools this broaches on ‘cheating.’ A recent study showed that replacing the lecture part of introductory physics with an interactive peer-based seminars increased comprehension by 20%. Moreover, this fits already-embedded American ways of education. In addition, America will need to produce one million additional graduates in math, science and engineering to remain competitive globally, according to a recent report by the President’s Council of Advisers on Science and Technology.

For too long we have been tolerant of planned obsolescence - for manufacturers know they can sell us a new and improved model in a year or two. A lovely nugget from Christian Cantrell’s hard SF novel, Containment: He describes the “Nobel Prize winning concept of ‘End of Life Plans’ or ELPs” -  instructions included with every single manufactured item, specifying what to do when the item is discarded. With parts no longer tossed in landfills, manufacturers were forced to develop products using recycled/converted components. Anticipating that components would be reused, manufacturers had an incentive to use longer-lasting materials that could be upgraded for next-generation models. Make it so!

More generally, how about an overhaul of our entire trash collection system? One concept straight out of Sci Fi: Pneumatic tubes to whisk away trash. Such a system is already in place in several European cities, as well as Roosevelt Island in New York City, processing nearly 6 tons a day. The upfront costs to develop infrastructure would be substantial, yet there are long term savings in personnel, vehicle and fuel costs, as well as CO2 emissions. It currently takes 6000 heavy garbage trucks rumbling down already over-crowded streets to remove trash from New York City alone (The very model of inefficiency - these trucks get all of 3 miles per gallon!) Such pneumatic systems may be the future of municipal waste collection.

And the future of energy? The United States’ first new nuclear power plant in a generation won approval Thursday as federal regulators voted to grant a license for two new reactors in Georgia. Part of the promised “nuclear renaissance” to restart the road to energy independence… though with beefed up standards in the wake of the tsunami-caused problems in Japan. Finally, after 60 years, nukes will be required to have ample cooling liquid available on a purely gravity-supply basis. I mean geez, what’s so hard about that!

What do you get when you cross an accelerator with a nuclear reactor? The Accelerator-Driven Subcritical Reactor (ADSR) would use thorium instead of uranium. It doesn’t generate long-lived nuclear wastes and can even consume toxic wastes from traditional nuclear reactors.

The possibilities are endless!

About the author:

David Brin, a scientist and best-selling author whose future-oriented novels include Earth, The Postman, and Hugo Award winners Startide Rising and The Uplift War, is a 2010 Fellow of the IEET. Brin is known as a leading commentator on modern technological, social, and political trends. His nonfiction book The Transparent Society won the Freedom of Speech Award from the American Library Association. Brin’s most recent novel, Kiln People, explores a fictional near future when people use cheap copies of themselves to be in two places at once. The Life Eaters - a graphic novel - explores a chilling alternative outcome of World War II. His latest book Existence will be published in June. 


Article source here

Monday, February 27, 2012

Utopia


Island where all becomes clear.

Solid ground beneath your feet.

The only roads are those that offer access.

Bushes bend beneath the weight of proofs.

The Tree of Valid Supposition grows here
with branches disentangled since time immemorial.

The Tree of Understanding, dazzling straight and simple.
sprouts by the spring called Now I Get It.

The thicker the woods, the vaster the vista:
the Valley of Obviously.

If any doubts arise, the wind dispels them instantly.

Echoes stir unsummoned
and eagerly explain all the secrets of the worlds.

On the right a cave where Meaning lies.

On the left the Lake of Deep Conviction.
Truth breaks from the bottom and bobs to the surface.

Unshakable Confidence towers over the valley.
Its peak offers an excellent view of the Essence of Things.

For all its charms, the island is uninhabited,
and the faint footprints scattered on its beaches
turn without exception to the sea.

As if all you can do here is leave
and plunge, never to return, into the depths.

Into unfathomable life.

By Wislawa Szymborska,
(2 July 1923  - 1 February 2012)

Maria Wisława Anna Szymborska was a Polish poet, essayist, translator and recipient of the 1996 Nobel Prize in Literature.